What's a recent game you've tried playing that isn't worth the hype?
7mon 11d ago by discuss.online/u/lriv724 in gamesSkyrim, it's so damn mundane.
That's because you're playing it wrong. You see, at it's core Skyrim is actually a puzzle game you play on the Nexus Mods website. You spend 30+ hours carefully researching, building, and tweaking the perfect pack of mods, only to immediately run out of interest in playing Skyrim once you're finally done. The actual Skyrim installation only exists to check if you solved the puzzle correctly and it runs.
Damn. I feel so seen suddenly.
Actually. I tried Skyrim so many times and never got into it, then I decided to give it the best shot and play with a cavalcade of QoL mods. I went from a hater to a true Skyrim enjoyer. At this point, with how pessimistic I was about the game, I think with the right setup ANYONE can enjoy it.
If you manage to install the mods
The end-game lasts about 30 seconds after boot.
"Oooh, pretty sky. Ooh, wavy plants. Ooh, god rays. Alt+F4."
anyway, back to minecraft
minecraftminesweeper
FTFY.
I'm in this comment and I hate it
Real. Without my 800 mods I would‘ve never bothered finishing it. Playing/modding was probably 50/50 in terms of time spent.
Skyrim came out 14 years ago.
Thanks for the tip
The title of this post was, "What's a recent game you've tried playing that isn't worth the hype?"
14 years is hardly 'recent'
Depends entirely on how you interpret the question. It could be read as "What's a recent game you've tried..." (as in, a recently released game that you tried), as you've done, or "What's a recent game you've tried..." (as in, a game you've tried recently) as the person you're responding to did.
I think either interpretation is fine since the title doesn't actually clarify either way.
ah fuck you're absolutely right, it's ambiguous 🤦
can it correctly be interpreted both ways grammatically though? I think only the former is actually correct.
idk. not my area. but I think they have a point, recent can only refer to the game itself, not when you played it
I started gaming in the 80's my first game was doom on a 286. Skyrim release date was recent for me and I only recently played skyrim for the first time.
The question is "What's a recent game you've tried playing..?"
Not 'What's a recently released game you've tried playing..?'
It is when you're over 40.
I have the opposite opinion. I avoided it for years because of the hype (and not having proper hardware to run it).
Now I have almost 900 hours in it, and sometimes I jump in just to walk around and revisit some places.
Just get openmw and play a real elder scrolls game before Bethesda got got
Or spin up TES3MP with some friends and experience it together!
I recently tried Fallout 4 based off of the same expectations. Probably didn't even make it a quarter of the way through the main story. I was having absolutely no fun. The thing that finally killed it for me was spending 5 minutes calculating which items needed to be sold at a shop and which I should keep, then getting blown up a block later, then respawning right before I did all that inventory management.
Just played through Doom: Eternal cause it was on sale for 4€ a bit back. The entire time I was wishing I was playing Doom 2016..
The new Doom games are all very different from each other. I liked what Doom 2016 was doing (even if it got repetitive) but really didn't enjoy Eternal because the constant juggling didn't sit with me. I haven't tried Dark Ages but it seems like it's doing something between 2016 and Eternal (not quite use what you want and not quite always juggle) while also adding its own dimension with the mix of melee and guns.
I would never recommend each Doom title based on the last title. But it doesn't mean I don't like what they're doing. I think it's brave to do its own thing instead of doing what is expected.
Both of your comments are a testament to why I love the new Doom games -- they're different and don't seem to be meant to be enjoyed by every fan, every release, every time.
Apart from the first two games (and Doom 64 for that matter), each offers different gameplay and feel and it's so, so beautiful.
I feel lucky having a blast in each one. Doom 3 is my favorite, actually, especially with the vanilla flashlight (for the uninitiated: where you can either have your weapon out or the flashlight).
Yeah. I didn't really enjoy it, but I got into it and finished it. Once I realized that you're expected to die and respawn frequently, and you don't lose anything when you do, playing went a lot better.
I still don't get that decision, because Doom has never been like that. Even arcade games don't do that. It just felt trivially cheap at that point.
Yeah, I enjoyed a bit of 2016, but got bored a didn't finish it. I think Doom Eternal I had from Steam Family Sharing (or other source I didn't pay for) and just couldn't get into it. I hate both of them forcing the melee kill thing that takes you out of the action to watch a cutscene, but Eternal just didn't feel like it worked for some reason.
Dungeons and Dragons 5e is less fun than 3.5e IMO.
There was more of a sense of character progression, and ability differentiation in 3.5e.
5e achieves balance by flattening the power curve.
For example, the attack bonus for a level 20 Fighter in 5e is just 4 points higher than it was at level 1 - same as a 5e Wizard. Both get +2 at lvl 1 and +6 at lvl 20
In 3.5e, a level 20 fighter's attack bonus is 19 points higher than it was at level 1 (+1 to +20), but a wizard only gains half that much fighting prowess as they level up (+0 to +10).
All 5e characters are pretty much the same statistically & mechanically. Differentiation comes from role play, which is the least interesting part of the game for me.
I think this is one of the reasons why Pathfinder 2e has been doing so well.
It's a middle ish ground and it feels good to progress.
My current issues with it are how underpowered the items are. So boring.
Heartbreaking that they decided static item attack rolls and DCs was a good idea. It's my biggest gripe with the system. Some items, like the Holy Avenger, subvert this and are pretty good, but most items suuuuuck the instant you outlevel them. Like, Sparkblade is cool, who doesn't like chain swordbeams? Anyone over level 4, aparrently, because every creature you come across has learned to dodge lightning from that sword in particular
I haven't played any 3.5e proper, but I understand Pillars of Eternity 1 is largely based on it, and I've played a handful of the 2e games. I dig a lot of the changes in 5e. I wouldn't say the power is so flat that the differentiation only comes down to role play; I'd say a lot of it comes from the apples and oranges comparisons between classes, like things beyond to-hit roles. Your fighter has no AoE attacks like the wizard has but has Second Wind and Action Surge, for instance. The advantage to flattening the differences a bit more is that your character's role is less preordained ("you are playing class X, so you must be responsible for Y") and that you are less hamstrung by the absence of one particular role, which scales better to small parties.
3.5e being the best is an opinion I've heard for my entire life. I would say preferring 5e is a more unpopular opinion.
2024 is even worse. On top of that, they also stack extra abilities, and try to give everyone everything.
One of these days I should try Pathfinder
5e character progression does feel kind of bland.
I feel the 5e rules are poorly organized, too. Lots of interdependent rules scattered far from each other in the books, and sometimes buried in the middle of seemingly unrelated sections, so unless you've memorized multiple chapters, understanding how to resolve common situations sometimes requires stopping the game for 15-30 minutes while someone digs through the books to find all the relevant factors. Even when you do find the relevant info, it's often in ambiguous language describing what could have been made perfectly clear with a few keywords. The books are pretty, and the text might be nice to read for entertainment, but they're pretty bad the the job of being game manuals.
Does 3.5e use the d20 system? Does it have the advantage/disadvantage mechanic? I like those aspects of 5e; they're simple and they help keep games moving along.
Maybe I should give it a try. Or perhaps 4e, which I have read does a better job of clearly defining its gameplay mechanics.
3.5 does use d20, but lacks advantage/disadvantage in favor of doing a lot more math every moment of every round of combat. This is the biggest appeal of 5e, it's approachable and keeps the games moving.
I wouldn't recommend 4e, it strongly suffers from the aforementioned "everyone can do everything and feels samey" much more than 5e.
Pathfinder 1e is basically just dnd 3.5, and as others have mentioned, PF2e is more of a middle ground
Differentiation comes from role play, which is the least interesting part of the game for me.
Can you explain why you would play a TTRPG if you're not interested in role play? Seems like a battle sim like warhammer, or just a video game might be the thing you're looking for.
As a DM, the cooperative story telling IS the interesting part. D&D has never been an airtight game system, it's a bunch if hand waving to give just enough illusion of structure and randomness so you don't feel like you're just arbitrarily deciding everything yourselves. But at the end of the day, you are. The characters and story you're left with is the only thing of value.
I liked 4e the best.
4e did some really cool stuff while also going a bit off the rails for me. I think overall I like 5E more, but we played a ton of 4e and I’ll always remember it fondly. I was really into the more defined roles, and how classes were a bit more self contained so they could just keep making more and more niche ones
I started TTRPGs with Pathfinder (1e). Some people talk about it like some impossible thing to play. It does have a lot more detail than 5e, but it isn't that bad. (I did play one character as a wrestler, who did grappling a lot, which is notoriously one of the most complex systems.)
5e sells itself as being simple, and it is in how little control it gives you. However, the rules are anything but simple. There's so many contradictions and stipulations every player has to memorize. It's a mess. For example, some spells can be used as bonus actions, but not if you've already cast a spell, except for some that can anyway. It's stupid.
Pathfinder 2e seems to make things so much simpler for everything, while still giving players freedom. Actions are just actions. If you've got the points you can use them for anything. Movement, attacks, spells, etc. Pretty much everything just is what it says.
All the souls games. I don’t get it, they’re just no fun 🤷♂️
Also, never finished doom eternal, far too busy. Dark ages was great tho
There was a time when I could not have imagined liking those kinds of games. My partner got me Dark Souls Prepare to Die Edition and I hated it. Hate may be too kind a word for how I felt. I’ve always loved metroidvanias and the style seemed right up my gothy, witchy alley, but I couldn’t get past the first basic zombie.
Then we watched a bunch of videos and realized that the game was designed to be played slowly and deliberately. There were no “junk” enemies and paying careful attention at all times was the game. When it clicked, it clicked, and now From Software games are my favorite.
I had a similar experience. Went the wrong way in DS1, headed straight for the catacombs, went "oh. This isn't hard. This is punishing." And dropped off. Later a friend gave me some guidance and some pointers on what the game did/didn't expect of me and I've been a giant fan ever since.
Sekiro took me a little time to figure out what it expected from me, too, but now I absolutely adore that game. That's more of a mechanical "what should I be doing in combat" statement of the fact that the game expects you to act aggressively while focusing on defense. Though
Souls games didn't make sense to me until I saw Giant Bomb play through Demon's Souls. Mechanics that I didn't know were there were explained in plain English, and then I could better understand where I went wrong when I died.
All the souls games. I don’t get it
They're memorisation timesinks
It depends on person and skill, a lot of people manage to beat a majority of bosses 1st try.
Also, personally, I just like using magic which makes some parts easier.
Honestly I think a lot of people miss that these games are full of soft difficulty options. Magic, in particular pyromancy, summons, there are lots of ways to make the game easier, and that's a good thing!
I recently replayed Dark Souls 1 and tried a Strength build to see how it goes.
Full Havel's straight up lets you face tank Artorias, and you're taking almost a 1/15th of his health with just a hit.
Armor was nerfed after that, but still, it was rather hilarious. Magic was nerfed too by the virtue of bosses getting more gap closers and ranged attacks - by Elden Ring, magic is far from the boring "stay back and just spam attack" idea, but on the contrary, the cheesiest tactics I used when needed were Greatshields or dual jump attacks for stunning bosses. There's videos out there of people beating Malenia by just shield poking her to death with a spear, and I certainly used that when I wasn't having fun with Rellana. It's crazy to me how most people just grab a greatsword and only use that the whole game, then say the game's shallow or too hard.
I really struggled when I tried magic, and then in DS2 I picked up an ultragreatsword and great shield and the game just felt right to play. Like, every boss timing seemed to be perfectly in line with my speed, where before it was always a struggle to refrain from trying to get one last button mash in with the faster weapons.
My first attempt was Dark Souls 3. I went in expecting challenging but rewarding battles, and a mysterious world to explore. Unfortunately, I found myself bored within an hour every time I played, and gave up on it after maybe a dozen sessions.
I tried Elden Ring maybe a year or two later. I stuck with it for longer, but the experience was roughly the same. The combat felt tedious. The art and animation didn't appeal to my tastes. The world seemed big, but desolate. The controls somehow made me feel awkwardly disconnected from my character. Nothing about the game made me care about it at all. The biggest challenge was in keeping my eyelids open.
I wonder if I would find soulslikes more appealing if I had grown up on console games. They're clearly popular, but it seems they just aren't for me.
I actually bought DS3 twice, For the PS4 the first time, and couldn't do anything. I'm not a console person by nature. Then I found out it was on PC, my jam, got it and OMG is that port shitty
I've enjoyed a lot of Soulslikes, but none of the ones made by FromSoft. Their style of providing poor explanations of mechanisms just makes no sense to me, even if you want to give players those moments of self-driven discovery.
Now I'm wondering, which non-From Soulslikes did you enjoy?
Another Crab's Treasure, Stellar Blade, Jedi: FO and Survivor, Hollow Knight, Tunic, and lately Steelrising.
Some of those games are a bit easier but also have harder moments. To me, it's about having a better-structured difficult curve.
I enjoyed Blue Prince, I’m exactly who it was made for, but it was definitely much worse than people would lead you to believe.
The game makers had no respect for players’ time. You solve one of the large, run-independent puzzles and it all clicks, then it could take you several hours to playtime to luck into the conditions to actually test your solution. Everything takes longer than it should. It’s obvious that I’m going to toggle security settings every time I’m in the Security Room, why do you make me go through this slow as hell PC every time? It’s not for realism because no PC back then had such fantastical functionality, so why not make the PCs load screens faster? How does the slowness enhance the experience? Why not just put buttons on the wall you can toggle for the security settings, at least? There were times where I figured something out, and rather than spend ten hours trying to actually do the thing, I just looked up that part of a walkthrough to get the next info.
Really interesting game, but I did some napkin math and I wasted 25 avoidable hours during my playthrough (long unskippable loads and such) that could have been spend completing an entire different game.
The game makers had no respect for players’ time.
I don't know that game, but the importance of respecting the player's time cannot be overstated.
I wish more game makers understood this and prioritized it accordingly.
It's a huge part of why I quit Destiny 2 entirely. A game that doesn't respect the player's time and pads it with RNG on top of RNG to extend playtime feels awful.
I absolutely agree with you, I got to a point where I had solved the "main" puzzle, but was struggling to complete other puzzles (that I knew the solution to) simply due to room draws.
I wanted to love the game, but it held itself back on the RNG design. It can be so detrimental to the game that I wouldn't recommend it to most people.
I bought into the review hype, bought the game, then realized about two hours after the Steam refund window expired just how tedious this game felt to play.
I really wanted to like it, but it stopped being fun and started being so tedious that I uninstalled it.
I bought it ages ago but finally decided go give it a go. From the first day I could tell it wasn't gonna be a game for me. Note-taking is basically mandatory, and it seems so easy just to get fucked out of a run by RNG.
Narrative seemed interesting but I feel like the whole "ability to decide what room you're going into" thing should be weaved into the story off the bat.
Neat concept but not for me, but I think since I've owned it for so long I'm outside of the refund window.
Same. The game is fantastic but the RNG is only cool on paper and falls apart just a few hours into the game. The methods they give you to influence your luck are just not enough to do much at all.
It's really frustrating when you are trying to do something but you constantly have to do something else because that's what the game is giving you.
I cheated at the end and gave me infinite rerolls for rooms so I could create the layout I needed in that moment. Much better that way.
Check out Seance of Blake Manor, doesn't have the rng
It’s funny, I literally downloaded that one last night.
You know, one man's trash is another man's treasure. I'd say Clair Obscur: Expedition 33 is worth playing for a lot of reasons, but I think it's got huge fundamental issues in both its combat and narrative design; it's still on the short list for most outlets' game of the year awards this year. Hades just got a sequel, and I didn't even care for the first one. For many people, those two games are just about the only roguelikes or -lites they've ever played, but I don't think they're even good ones of those; the level generation is so limited that you'll have seen all their permutations quite quickly, and the bonuses from boons just about all feel superfluous and interchangeable. Hollow Knight holds this legendary status among metroidvanias, and Silksong followed suit. I thought Hollow Knight was just fine, but I was surprised to find that this was the game with that sort of following. When facing the possibility of playing Silksong this year or about 5 other video games that came out this year, I don't think Silksong is making the cut.
But your mileage will absolutely vary. These games have hype for a reason: a lot of people love them. You might, too.
A big part of the appeal of Hollow Knight and Hades are their respective art styles. They are both genuinely gorgeous games, and it really improves the experience. I would rather open up Hades again instead of, say, TBoI for exactly that reason, despite my thinking that TBoI is the better roguelike.
Admittedly I can't bring myself to enjoy Hollow Knight at all, but that's just an issue of me disliking metroidvanias.
hades' strength is its narrative; hk's strength is its worldbuilding.
it's very difficult to stand out on pure gameplay in the 21st century.
I agree regarding Hollow Knight... It was fine. I don't really get the hype though, people would make you believe it's the best game ever made.
I'd go for CO:E33 too. Its a decent enough game but I don't understand the absolute hype it receives. Probably a 5/10 game for me.
I can answer this for you. So imagine a genre of game that you grew up playing, loved, and sunk possibly thousands of hours in. Now imagine for like 15 years they only made the most dogshit version of that genre of game. Then someone comes along and makes a decent, even passable, modern version of that game.
It's like giving dirty water to a dehydrated person. Is the water good? Fuck yeah in the moment it's fantastic. Is the water the greatest water you've ever had? Well technically no, but please don't take away the dirty water please.
continues playing trails games in the corner
The worst part is, that decent game isn't even in the same genre. E33 is too damn heavy on parrying. Imagine if all 2000-2015 Zelda games were garbage, and Breath of the Wild was the first good one. I'm sure some OoT fans wouldn't be too thrilled, while a majority of gamers would be.
As a JRPG fan though, I concur, most JRPGs suck ass, and it's often for the most obvious, easy to fix problems like slow combat speed, or throwaway random encounter design.
All of the games you listed here were pretty under hyped IMO except for perhaps Silksong.
I understand this is all subjective, but I think you're leaning toward like indie gaming hipster material with this comment...and that's my opinion.
I leaned toward games that came highly recommended that I actually played.
I played E33 for about 4 hours. The combat system is atrocious. It feels like I'm playing a turn based RPG but with elements of Dark Souls? The almost necessity of dodging in combat made me give the game up.
I just played it on easy difficulty then it became enjoyable for me.
Was it good though? I imagine you'd be AP starved until you get the Picto for AP on hit, and then it sounds like the opposite where you can spam costly skills.
I already said in my comment that I enjoyed it?
To clarify, I meant gameplay, because you can (and a lot of people do) turn on easy mode just to ignore it and focus on everything else.
The easy mode could win battles for you automatically and most people would "enjoy" it all the same, but I hardly think anyone would love it.
Edit: The context was explicitly combat, but, I feel there's still a difference of enjoyable combat and actually engaging combat. Is parryless easy mode challenging enough?
Easy mode doesn’t mean you can ignore parrying in this game so yes I still enjoyed it.
Deep Rock Galactic. I was really excited to play it and I tried to like it. The colors and graphics were 10/10 awesome, I just found it to be extremely boring and repetitive.
Very fair, I had a lot of fun with it as a casual game to relax with. Not so easy it's trivial, not so hard it needs a lot of thinking.
Man I LOVE drg. A good team on a call made this the most fun I've had playing in recent years. Unfortunately, the population is lower and one may have trouble finding new players. Veterans are usually happy to help, but you'd need a patient one.
For me, deep rock really shines when you're playing the higher hazard levels. Seeing a wall of the cave move because it's covered in enemies, and then hitting them with a fat boy gave me happy chemicals.
Horizon: Zero Dawn. I have yet to finish it but apart from robot dinosaurs, it feels so generically open world… Admitedly, a very pretty-looking open world. Can‘t really get into the story so far either since it takes itself so seriously while I‘m having a hard time not thinking too much about how ridiculous its world is. So apart from sight-seeing, there hasn‘t been much in this game for me thus far.
Edit: This comment section is a treasure trove of hot takes, so many of my beloved games mentioned making me go „What the fuck…,“ I love it
It's absolutely a generic open world game, bit that's not necessarily a bad thing. The formula is fun if it's done well, which I think it is for Horizon Zero Dawn. The combat style is also uncommon and provides a satisfying loop of stealth and bullet time mechanics.
I liked both games, but combat is ruined in the second. Literally just constant spamming of massive AOE attacks. All the nuance of the first is literally nuked from orbit.
Are you playing with gyro aiming? I also loved the gameplay of the first one and was disappointed by the second. My hypothesis is that aiming without gyro was too tedious so they updated the gameplay to require less aiming. Not that the game tries to be realistic anyway but the combo/special attacks and the time spent in the inventory/wheel kinda break the immersion/flow for me.
Dude. I have tried like 3 times to get into the horizon series. Just can’t do it. It’s so generic, just pretty.
Took me awhile to get into it. I did eventually finish it. My criticism of the game was more that the dungeons aren’t really all that challenging and are mostly just places where the story advances. Not many puzzles or fights. You just do your fighting out in the open world. Also, eventually the fights are easy as you learn how to fight each type. Eventually you just avoid confrontations because they’re just time consuming.
I had a great time with that game with the difficulty turned up a few notches. It really makes you use the tools in your tool belt, plan ahead for weaknesses, and lay traps. Without that stuff, I likely would have found it to be a generic open world, too. The story will always be ridiculous, but even taking itself seriously, there's a payoff toward the end of the game where taking itself so seriously is still satisfying and makes sense, even with a world filled with absurd robot dinosaurs.
I don't think it was quite as generic at the time of release, but yeah I tend to agree
Elden Ring. It is good for what it is, probably the best in its genre, but after so many Soulsbornes, it just feels like more of the same. Formulaic. I've tried it three separate times and it never grabbed me.
To me, the Souls combat does best in a tightly knit and highly curated environment. I really enjoyed Elden Ring but I do not think it was a step forward for the series. Open World worked to the detriment of the game IMO.
I echoed this in another thread. I honestly feel like ER is the weakest "Soulsborne" game they've put out. It feels like a lot of conflicting design philosophies at once.
The lore and worldbuilding are phenomenal but gameplay-wise it falls short of what made their past games shine.
I (re)play Soulsborne for builds, and I think that's necessary to appreciate ER. Trying out all the spells and different weapons is most of the fun, the rest being trying them out on bosses.
It's definitely not the best in its genre, if only because they did away with the level design ethos that makes their other games so good.
This is something that gets completely lost in the translation to an open world game. The DS trilogy, Bloodborne, and even the original Demon's Souls feel hand-crafted and carefully structured without being completely linear. ER loses a lot by leaving that formula behind.
On top of that, the boss/enemy design is imo some of the worst they've ever done. The past games (with DS2 being the one with the most exceptions) typically give you very fair but challenging fights. Telegraphs are clear without being slow and obvious. Particle effects and such are generally kept to a minimum to prevent visual clutter from taking over the screen. Bosses hit hard, but very few hits or combos, if any, would one-shot most builds outside of challenge runs. ER throws all of that out the window - bosses tend to hit like trucks, are visual clusterfucks (either enormous models with a terrible camera, tons of particle effects blasting out the ass, or both). I feel like the final boss of the DLC as an example is the most egregious example of this sort of design philosophy. Hell, Nightreign works so much better with the exact same designs because it's such a faster-paced game where getting knocked down once or twice isn't usually the end of a run.
Being on the patient side of things, two games I've played in recent years and didn't enjoy were:
God of War (2018) - it just felt like AAA slop to me. Meaningles upgrades, tons of obvious puzzles at any corner - never throwing in even a single brain teaser, boring combat - the best option was almost always to throw the axe, that thing were you start walking at a snails pace to mask loading and/or play a cutscene and on top of that your god powers being mostly cutscene exclusive. Just your bog standard AAA game with no 'friction' - boring.
Factorio - it just feels like work to me. On top of that, going in blind, I just didn't enjoy building something up just to tear it down again because I've unlocked something new changing the requirements. Once again, feels like a job in IT. Also, resource patches being limited just gave me the weirdest kind of anxiety despite never actually seeing one run out.
Factorio's the awakening for a lot of people on certain ends on the spectrum. My AuDHD makes it crack for me. I will say though, while the tutorial teaches you some essentials, it just throws you into the deep end once you start a real game.
I only discovered all the tips and quality of life from videos online, and there are some troubles in the game you can solve on your own but good fucking luck (belt balancing).
Might not be your kinda game, but if you ever feel like giving it another chance, check out some vids online for beginner tips (: It's a game about stimulating the Eureka! part of our ooga booga caveman brains and it feels amazing.
I feel vindicated. I have the exact same feeling of factorio feeling too much like work, having to refactor everything because the requirements change is one of the more frustrating parts of software engineering imo, and the game feels tailored specifically to invoke that frustration.
I imagine that part gets better after the first hundred hours where you basically know what's coming. I don't have the patience to learn the tech tree though, given that I don't even enjoy the game.
I’m curious how you play factorio because when I played there was very little refactoring, just adding more and more onto the assembly line.
That being said, that genre of game is absolutely not for everyone.
Factorio sucks for perfectionists. You have to be able to embrace the spaghetti, and not everyone can
Yeah I’ve seen people try to balance things perfectly in factorio, but my strat is always to overproduce and let belts getting backed up balance out the throughput.
Yeah same. I've seen other people stockpile intermediate resources to try and smooth out bottlenecks, but I think that's wasteful. Build extra throughout, and have as little product sitting there as possible.
I'm fuzzy on the details, but it went something like this:
- I set up long resource lines of coal, copper and iron.
- I needed a thing#1 and built a neat little package to build it, exactly to order and on minimal space.
- I copy pasted that design 10 times left to right along my resource belt line.
- Then thing#2 came along. Needed the same stuff and combined with thing#1 into thing#3. So I wrapped my resource belts, designed a second package on minimal space and also copy pasted it 10 times. So I had pairs of thing#1 and thing#2 with a line in the middle to combine them and a belt to collect them. Worked nicely.
Then:
- Coal was replaced by electricity. I had no space for powerlines.
- I got other types of the grab thingies, potentially simplifying my setup.
- Suddenly I got sorting, making my belt setup a waste of space (I had one line per thing/resource).
- All belts needed to be replaced by better belts.
Oh and:
- Thing#4 came along, needing 2 of thing#1 and one thing#2 with some additional resources. Since I built to order, I basically had to start from scratch or severly hamper the production of thing#3. Also, my packages didn't work anymore without wasting space and/or entirely fucking up resource belt management.
Therefore, I designed stuff from scratch to fit the new requirements.
That's from the very beginning, but after repeating this pattern a few times, I gave up. Building it non-optimized felt even worse.
Interesting. Optimizing the factory for your immediate current needs sounds very tedious, because those needs change all the time. I instead optimize for expandability and adaptability. The factory game genre isn’t for everyone, but if you are interested in some tips:
My solution is usually something like:
- really long line of basic resources (usually a belt of smelted copper and a belt of smelted iron, eventually adding more stuff and adding more belts of iron and copper as supplies are needed)
- when I need thing 1, I make a little package that builds it, drawing resources from the line with splitters so the excess can continue down the line
- thing 2 is an independent little package farther down the line
- When it’s time for thing 3, I build copies of the packages for building thing 1 and thing 2 as necessary to feed the construction of thing 3, again as separate feeds splitting off the main resource line
- when it’s time for thing 4, its again independent of the production of things 1-3, except they are splitting off the same main resource belt
- If the resources on the main belt are insufficient to feed all of those machines, one of three things needs to happen: 1. Add more raw resource processing until your belt is full and backed up at the beginning 2. If that’s not enough, upgrade the belt 3. If you don’t have a belt upgrade available, build another main resource line and use splitters to rebalance it onto the main line
This construction allows for easy expansion without having to destroy anything. I typically don’t disassemble anything unless it’s actually a problem for some reason or I need the space. This is especially important because you often need some basic components like the level 1 belts even into the late game.
Also, once you unlock robots, you can literally copy-paste, just select an area to upgrade all belts/arms/etc. in, and a lot of other neat tricks that drastically speed things up.
And one last peace of advice: Overproduce everything and let belts backing up balance out the resource distribution. Then if you discover that belts that previously were backed up are now sparse, figure out why and optimize it, usually by adding more production of whatever the missing resource is.
Ultimately throughput is all that matters. Loss of throughput because you don’t need something isn’t wasteful. Loss of throughput because you aren’t producing enough of something is a problem to solve. Things that don’t affect throughput don’t matter and aren’t wasteful.
I played pretty much the same way De_Narm did. I tried caring less, though because I had no idea what would come next, it inevitably descended into spaghetti. I am stressed out about technical debt enough at work to be playing a technical debt simulator lol.
Dedicating the space needed to expand, ensuring everything you build is scalable, inevitably requires you to know a lot about what's coming.
Yeah, if you know what you're doing you can avoid these issues. I did not enjoy myself in the slightest, so after some hours of giving it a chance I decided that learning how to avoid these issues was not worth the pain. I'll just stick to work instead.
I feel both of these strongly for the same reasons, also GoW had all the sluggishness of a Souls-like which immediately made it not fun to play.
I absolutely love Factorio. I even bought the DLC the moment it came out.
I'm also absolutely rubbish at the game. I've never managed to finish the game on my own, and usually struggle to get blue science producing at all, much less at the correct ratio.
I do have fun with trains though, so I'll often jump into friends' games and just optimize (replace) their train networks.
Agreed. New GOW was much better.
Fallout 4. I could never bring myself to finish it. The furthest I ever got was just before the Mass Fusion mission between the Institute and the Brotherhood, with the Railroad already dead. I just couldn't summon the will to continue. In every playthrough after that, I rush to Nuka World, finish a few parks there, and call it quits again.
I picked up Vampire Survivors, played one round, and was like yeah I think I’m done here.
I picked it up and thought "this is so stupid," right before spending many hours playing it.
Try out Magic Survival, the (way better) game VS was copied of
I often stay away of new games because that exactly, the hype. If you play a new game and you say it sucks, everybody yells at you, but if you let past the time, it's the time the one who gives reason to people.
I always think it's fascinating to see how the discourse around games evolves. It's always most telling when people stop talking about a game at all. Remember Starfield? No one even talks about Starfield anymore, not even about how bad it may or may not have been. Just kinda flopped a bit and passed from memory.
I had to search "Bethesda space game" just now to even remember its generic name ...
Funny thing is, starfield would probably still be relevant if it didnt have paid mods
I remember at the time it was getting all these awards. When I still had game pass I booted it up to see what it was all about. Dear god was it dull. All I remember is some dude comes out and is like “you had a space vision! Take my ship!” And I thought that was the most absurd way to start a game.
I was just talking to someone at a party about what games we'd been playing, and we also had to fully stop and think a while to remember the actual name of the Bethesda Space Game™.
In a lot of cases, the people who enjoyed it will have already said what they wanted to say about it, and then the detractors can just yell out the loudest. There's a perception that BioShock Infinite was only praised because of release hype, and a lot of people look back at it unkindly for one reason or another, but I've seen a number of people experience it for the first time in just the past couple of years, unaware of any reputation it might have, and they loved it like we all did at launch.
This happened to me with Resident Evil 3 Remake, I didn't knew that had so many haters behind but I really enjoyed the game. One thing to hate, they say, is the short duration of the game. I mean, you could beat the original game in 2 hours, if you didn't knew nothing about the game, could take you like 7 or 8 hours
Yeah, I liked that one more than its reputation as well. In some ways, I liked it better than the 2 remake.
Mario Kart World.
Soundtrack is 11/10. But they dropped the ball hard on the entire open world aspect. Completely wasted the entire potential.
Instead we get lame ass intermission tracks that count as the first two laps of the next race, so you don't even get to enjoy the new and remade tracks during championships, because you'll blink and miss them.
Out of curiosity, who did you romance, and why?
So am I to assume there was more to the story that didn’t click with you than the optional narrative sub-branch that you chose not to engage with?
I played through fhe whole series thinking the good part was about to happen since there was hype for the game.
I love the series, but I played the games when they came out. It's true that the level design of ML2 suffers from it being a cover shooter and ML1 is very dated now.
Which of the three titles did you hate most/represents your dislike best?
I do wish they'd done more with the buildings.
The structures being carbon-copy was lore, they're built in factories and dropped from ships.
But that doesn't mean they all need the same boxes in a row layout internally, some personality would have been great and pretty easy to implement.
I love everything about ‘Disco Elysium’ in isolation. Art style? Gorgeous. Grimy noiry mood, right up my alley. I love isometric RPGs, though it's been a while since I played any. Writing is great, from what I've heard. Novel mechanics, probably beautiful.
Only, I get into a couple dialogs and realize I need a second computer on the desk, to type up notes. Ain't no way I'm remembering any of that, especially since I tend to take long breaks in a playthrough. And I just decided in recent years that I need to pay closer attention to stories in games, which I neglected to do back in my youth.
I've put twenty notes into the phone (with swipe-typing, thankfully), and that ended my initial experience.
You're playing a middle aged detective (though he looks older, or at least more worn down) who just woke up from an alcoholic coma after taking all the drugs, unable to remember anything about himself or the world he lives in, except for the fact that there might have been a woman, which was somehow both the best and the worst, and possibly some trivia about disco.
I don't think you're supposed to be able to remember or understand everything the game throws at you, at least on a first playthrough. That's what Kim is for.
Just go with the flow, and remember that in this game failure often leads to more enjoyable outcomes than success.
But he's a professional detective, presumably with the skill to gather information and put it together. Meanwhile I'm a professional scatterbrain who writes down notes for programming projects that take more than a day. It would be unrealistic for me to roleplay as him, especially if I step away from the game for a couple weeks and forget most of the details. If I can code while hungover, he probably can do detective stuff while hungover.
He was a professional detective. You know, before he erased his brain with massive quantities of alcohol and drugs.
It's up to you to decide who he is now.
Raphaël Ambrosius Costeau, reincarnation of Kras Mazov and art cop, is one of the many possibilities where gathering and putting information together would be... secondary, to say the least.
Just put your points in Drama or Inland Empire, and dull concepts like “reality” will be quite irrelevant for our good detective (much to Kim's stoic chagrin). 🤷♂️
What are you making notes of? I never had this urge.
Also, in case you weren't aware, Steam has notes built in and it saves them for each individual game
Stuff about the setting that I learn from the characters. Perhaps you have better memory than me.
Steam has notes built in
This is great to know. I need to see if Steam accepts my copy of the game, for which I didn't pay to the company after what they did to the developers.
You can add any game to Steam and play it through it. Just add the exe as a non steam game.
You must have a better memory than me
I wouldn't be so sure lol... My memory is shit these days.
The game has some built in "mission" stuff, and I'm sure I probably accidentally went to the same place a couple of times when trying to figure out how to progress, but never felt the need to write anything down. I found that the dialogue itself was usually good enough to remind me of anything important I might need to know for the current conversation
It's just that I made a resolve recently-ish that I need to properly get into stories in games. Unlike back in the day, when I played through ‘Half-Life’ 1 and 2 and gathered pretty much nothing about the plot. ‘Disco Elysium’ seems to be the type of a game where a lot of the story is in the details dropped by the characters, reading materials, etc.
I've been recently replaying the original ‘Deus Ex’, and had Denton crawl around every level for hours, reading each newspaper and poster he comes across. The papers do in fact frame the main story, clarifying the relations between factions and such.
An extreme case of this is apparently the ‘Elder Scrolls’ universe, with which the community gathered sizeable lore and history that goes several layers deep. I've never played the games (perhaps for the best), and only happened upon a tangential discussion about this, but the impression was that they're deciphering it like ‘Ulysses’.
I kept dying. And I couldn't figure out how anyone dies in a narrative game. I couldn't really figure out how to play the game and gave up after dying 2x in the same conversation.
I'm still so confused how one dies from conversation.
Instead I watched a video about the game.
I play a lot of games but nothing like this one. I wanted to like it but I'm too dumb to figure out the mechanics. And I even tried watching videos and found them convoluted and confusing.
Meh.
Loved the art style tho.
Cyberpunk 2077.
It's okay, but it's a far cry from giving me the feelings of a cyberpunk world in my opinion and I'm a massive fan of blade runner and the like.
Why am i spending so much time wandering at the street level where everywhere just looks and feels the same. Travelling is so boring.
And the voice acting of V (I played female) is so overreacted, it's one of the cringiest performances in gaming, considering it's meant to be all serious and whatnot.
Why am i spending so much time wandering at the street level where everywhere just looks and feels the same.
What game are you fucking playing?
“Looks and feels he same”!?
What are you even going on about? Every neighborhood, every nook and cranny, looks and feels different and has it's own personality and story to tell!
Night City is the real protagonist of the game! I could spend hours upon hours just walking those streets, experiencing the city (and have), and I'm far from the only one...
And the voice acting of V (I played female) is so overreacted, it's one of the cringiest performances in gaming
I'm sorry, what? Cherami Leigh got a well deserved BAFTA nomination for that performance!
(Lost to Laura Bailey for her work as Abby on The Last of Us Part II.)
What, were you playing with your eyes closed while listening to something else..?
To me every nook and cranny just looks bland with nothing to do there. Everywhere just had the same sidewalks and railings. There's no way i could ever navigate that game without waypoints.
And with the acting the emphasis she puts on certain words in a sentence just don't match the situation and the others she's talking to, and it feels like she swaps between extreme emotions on the same dialogue and it's like tonal whiplash to me. There was no nuance to lay in between, and nothing to unpack for the listener. You know when she's angry because she has her 110% angry voice on and so on.
Unless the situation is heightened and dire, it just never fit in my opinion. Her performance fits a stage play more than what's meant to be an immersive video game in my opinion.
Jackie's and Keanu's voice acting though was stellar.
My problem with Cyberpunk is it feels like all style and no substance. Night City is probably the best looking city I've ever seen in a game. The world designers did a phenomenal job with the visuals and atmosphere.
But it just doesn't feel like there's enough to do in the city or ways to interact with it or the NPCs. There should be more buildings you can enter and more activities to do. For me that's what sets GTA and Red Dead apart from Cyberpunk. They have much more to do when you're not on missions.
The game is definitely too sparse and spread out. It should've taken more inspiration from the likes of yakuza than gta and made a smaller but more dense world to play in where every nook and cranny ACTUALLY meant something rather than giving the illusion of doing so.
I agree. It feels like it would have benefitted more from being a linear game than an open world game.
This is something that still disappoints me despite all the updates made to add immersion. The street food vendors just kind of hang out and stare at you. That and how every vendor interaction is just popping open their inventory and grabbing things.
I remember Postal 2 having a really clunky attempt at customer to vendor speech interactions where both were NPCs. Not as cool as a ridable metro system, but still.
They could have at least given us some:
"What news from the provinces?"
"I've heard others say the same"
"Be seeing you"
To be fair style over substance is one of cyberpunk's (the style, not specifically the game) main design philosophies...
But yeah, sure, the game could stand some more fleshing up. Most games could.
That said, there's a lot of stories going on in Night City that you won't get through quests, but are told bit by bit through messages, notes, minor encounters, and environment design... more than in most similar games I've played.
Would it be nice to be able to enter every building, take a job at any random hot dog stand, ignore the quests and, I don't know, infiltrate Biotechnica and leak all their ugly business to the world..? Sure, but that's not something V would do (without getting paid), especially once they're on a timer, the engine probably wouldn't be able to support, and, most importantly, we'd still be waiting for the game to come out.
Agreed. I have bounced off this game a few times for similar reasons. For a game that is about a cyberpunk future, it felt so much like a gta clone. Having played the ttrpgs, I think I just have a different version of the world in my head, and the games version just feels off.
Yeah seriously, V gets so worked up over fucking everything and I just couldn't give a fuck. Calm the fuck down and take your Xanax, V. She's stressing me out over nothing.
Yeah ok im glad to hear someone say that about cyberpunk 2077. Its been only just ok, but I want to like it more, but I don't so far lol
After Jesse died my motivation to continue dropped off a cliff. All the other characters are so boring and uninteresting. I cringe everytime johnny silver hand shows up. Also the driving and gunplay feels really really bad. Its got skyrim-like clunkiness without the flexibility and interesting world to make it worth while.
Not to mention the bombardment of phone calls and messages while trying to "mourn'. Awful pacing.
Hot take alert
Hollow knight silksong.
Its such a huge letdown for me as a massive fan of Hk.. but they did so many things that are just... mean. They disrespect the player constantly.. tc actually TROLLS YOU with trick benches n shit. But mainly waste so much of your time with shitty padded content. Fucking fetch quests, timed 'flower' quests by the dozen. Most of the primary content ends up being "just like hollow knight, but worse, and now do 10x more of the worse version." So its unoriginal AND inferior to the source.
I tried so hard to love it and its nothing but frustration in the end.
I stopped playing it after the credits rolled only for someone to tell me there's a secret Act 3 if you do some really specific stuff. I don't really care for games that require guides, especially if they gate a bunch of content behind it, so I never came back to it.
However, I did enjoy the first two acts of Silksong much more than the first game. I was never a big fan of Hollow Knight and considered it among the worst of popular metroidvanias. But Silksong was pretty good outside of the fetch quests. Unlockable alternate move sets was probably my favorite bit
Sorry late reply... yeah i realized a lot of my frustration was trying to play spoiler free... but this game seems to beg for guides/walkthroughs, and i agree w you i really dont like games that feel super dependent on constantly checking a guide not to mention just breaking your immersion n taking you out of the gameplay..... but some of the stuff is like "no way im just figuring that out!" Like egregious level of "hidden area behind a hidden area to fight a hidden boss that unlocks a hidden upgrade" level shit. Its one more in a long list of really bummer decisions from this team.
Dark Souls is a 14 year old game
Slay the Spire for me, I thought it'd be a slam dunk because I love Balatro, but it just didn't land for me at all.
Kinda the same, but I did like slay the spire. But balatro is leaps and bounds superior.
Huh opposite for me. I have played Slay the Spire for like 2000 hours. I have beaten it through ascension 20 on all 4 characters like 20ish times at this point. I still pick it up and play it when I'm bored and it still is fun somehow.
I could not get into Balatro like that. I think I have roughly 50 hours in it and like 3/4 of the way through it with all the decks and challenges and simply cannot bring myself to complete it. The last 10 or so hours just felt like a slog. Still a good game but the sheen wore off for me well before I could 100% it much less start replaying.
To each their own I guess! Funny how similar the games are and how there's just some people that love one but can't get into the other.
2 thousand hours‽ That's just fucking impressive.
Edit: there's at least six characters. I'm replaying it though plus dicey dungeons l(which I love as well)
That’s funny, I love Slay the Spire, but I have mixed feeling about Balatro.
Balatro is addicting in that once I start playing I don’t want to stop, and yet after playing for a few hours I couldn’t say for sure I had fun at any point the whole time.
Playing Balatro feels like exploring the backrooms to me - just infinite bland nothingness.
Space marine 2. You shoot things with guns that don't feel powerful and you die if you don't have perfect reaction timing to do executes. I've never played a game where the world says "oh you're amazing and powerful!" but then makes you feel incredibly weak. Also, the timing for executes is not fun. It would be nice if they were bonuses but they are necessary to survive because they replenish your health. The gun gameplay is just shooting. No strategy. Boring. I'm going back to hell drivers 2.
I personally loved it the part where i was weak. Its lore accurate and it was like travelling back in time to the olden days.
It was great nostalgia rush to play a game where you could really die and it was not unusual to need and try same fight multiple times.
Now days i feel like most games are allmost impossible to loose. I dont want it from all the games, but its nice to have games like that available.
Helldivers 2 is hard game, but dying a lot is something the game mechanics are build around and you dont loose instantly and when you loose you just fire up a new game, it does not give me the same 2000's vibe i got from the space marine 2.
Also the reaction times are not that tight. Even my dad reflexes can manage those.
You and my buddies say that the reaction times aren't that tight. I must be doing something wrong then because they're no different than any other reaction game for me: I miss a majority of the.
I played this with two friends. The progression system is just awful. So we got through the full campaign once and it was fine honestly. Then we were kind of hyped to try going through it again, it was all right definitely harder. And then the third time around we just gave up cuz it was clear that they're just wasn't that much game to play, and the enemy is just become bullet sponges and you either grind endlessly to try to level up and gain unknown amounts of power if its power at all.
Intermultiplayer sessions we did have a few epic moments won't lie. But the cost just wasn't worth it. And those thin offset the issues that we had.
Friend recommended one of the hitman games. But the steam port is so incredibly janky in regards to controller layout. And it was fucking made for consoles is what's bonkers!!!
I've never played a consoley Hitman nor tried a controller, but I loved the original hitman (silent assassin) and the original series sequels up till about Blood Money. I didnt enjoy Absolution, it's too choreographed unlike the originals where you could actually be creative and kill people in a variety of ways.
Then got pretty confused when I realised they reset the numbering with "Hitman" and "Hitman 2" (why do games do this?) and just gave up at that point and haven't tried them or anything newer
Huh what?
There's a game series called "hitman". A friend recommended one of the games. I installed it and had difficulty playing it because it was difficult to control the character. The game was made in an era when it needed to be released on consoles to be financially viable. If it is released on consoles, it follows that it needs to be made for people controlling the character with a "controller". The steam deck is kinda set up as a "controller".
Despite these two seemingly perfect intersections, the game does not play well on the steam deck.
That explains. What Hitman version are you referring to? You said Steam port but I own Hitman World of Assassination on Steam using an XBox controller, and I never thought the controls were poor. But you're specifically talking about Steam Deck. I cannot comment on that
Blood money
Can you give me an example of what you found difficult? I'm unsure because, huh what?
They didn't add controller support in the steam version so it's more or less emulating the keyboard. I'm the top left corner it has "E","SPC",& another key, and gives you a description of the action associated with those keys which change depending on the situation. Getting the rifle in the intro mission was a chore between picking up the case and having to choose it from the inventory to take it out, then trying to get into scoped mode because none of that is labeled on the action keys. Also having a joystick emulate a mouse comes with it's own issues. It just wasn't an enjoyable experience trying to pay it.
Are you playing the first Hitman game from the early 2000s by any chance? Because sounds like it. The new ones have full controller support, silly.
Blood money
Ah, Blood Money. Phenomenal game but old 🫤
Dispatch.
It goes the old telltale way of presenting fake choices that dont really matter because the optional character are being written out of team scenes mostly, one romance option is completely ignored because the devs clearly favoured the other and put her in every scene and the dispatching minigame they advertised the game with has absolutely 0 impact on anything. You could fail every dispatch, only do the mandatory ones and nothing would change.
I finally have a computer that can run Cyberpunk 2077, but it is such a dull game.
Deus Ex Human Revolution and Mankind Divided do a similar cyberpunk vibe to Cyberpunk 2077 but with better gameplay and plot IMO.
Absolutely. The original Deus Ex is pretty excellent too. And the turn based Shadowrun games. It'd be cool if 2077 was better though, the tabletop game is sick.
HR is great.
MD is half a game, with disjointed quests due to it. It's sorta funny how the developers made all the Sonic and Knuckles references...
I really liked and the story. But after taking a year break and then playing the dlc phantom liberty. I kinda was over it. Just felt like work. Not really fun.
So idk. Maybe you just have to be in the right mood for it.
LOL I could have told you that before you spent the money.
Thankfully there's a lot of good games that really shine on high-end hardware. Like that Indiana Jones game and the Spider-Man games. Also you never have to worry about games being an unoptimized mess, when you can just brute force them with pure processing power.
You tried playing with mods though?
No, any recommendations?
Do you have a general reason? Giving the name of the game doesn't do much when i don't know why you didn't like it.
The Elden Ring.
The open world just did not do it to me. I enjoy much more tighter game world like in the previous souls games.
Most of the side bosses were unintresting and if you found them too late you were completely overpowered.
I still enjoyed Elden Ring, but I agree completely. I prefer the metroidvania world design of earlier From Software games. The sense of progression is one of the best parts of those games, and Elden Ring’s open world robs the it of a lot of the magic of earlier titles, where discoveries were around every corner and in every nook and cranny. I never felt the same joy of exploration and hard won progress as I did in Dark Souls, Bloodborne, and Sekiro.
If it were more linear akin to their older games and dramatically reduced the visual clutter of most bosses, it would've been perfect, but those two things brought it way down imo. These sorts of games excel in smaller, more linear but interconnected environments.
Open world sure did mean lots of wandering and dying until you figured out where to go. Still worth it but too much wasted time.
Persona. I didnt play it to the end. Not even sure I past the tutorial. So many text boxes. So much dialogue.
thats the point of thoese games. more story than gameplay almost
Damn, remind me to never play them, then.
A good story shouldn't need to be told through endless dialog boxes, it should be told through gameplay.
So wrong 😆
Doom dark ages. Just upgraded my computer, and I thought 'hey, I really liked 2016 and eternal, this'll be great, and it's got great reviews'. Nah, the whole game just felt...okay. I might try it again at some point and mess with the difficulty settings, but I felt like I was forcing myself to play it the whole way through.
I'm grinding through this one now. The graphics are great, and the game does feel like a modern doom, but the fun does seem to be lacking.
I'll finish it, but don't think I'd replay it.
I personally didn’t love the atmosphere of this game. Didn’t feel very doom like. The gameplay mechanics are also different, but I got used to them. The game is turning more and more into a rhythm game like DDR or Guitar hero where you need to do the right attack at the right time depending on what enemy you’re dealing with.
For me, it's borderlands 2
I thought the gameplay was pretty good, in a "turn your brain off and shoot guys with gradually increasing numbers" kind if way, and I absolutely adored whenever Handsome Jack showed up, but that's pretty much it
I've heard from more than a few sources that the shooting on that game's peak, but it's just kind of generic. Outside of Jack, I thought the writing was honestly pretty lacklustre as well, even getting annoying in more than one instance (CATCH A RIIIIIDE FUCK OFF DIPSHIT). The cell-shaded artsyle is quite pretty, I will give it that
At its core, I think it's just... fine.
I love that game, spent hundreds of hours in it a while back, and don't remember fuck all about the story.
it's a shoot 'em up loot game, and it does a great job of it IMO
absolutely a brainded activity though. it and Bioshock are two different frames of mind when you're playing them
Did you play it solo or with people? I found the game to be fairly dull solo. It was better with people but the loot system still allowed a lot to be desired especially if you played with greedy people.
I get tired pretty quick of games where the multiplayer aspect is considered important to enjoying the game. If your friends are with you, you can enjoy literally sitting in the dirt doing basically nothing, just chatting. If your game requires me to also drag friends into it like some cultist, just to make it pass the bar into 'fun' then the game is a failure, plain and simple. They don't get credit for the fun I brought with me to the show I paid for.
I'd played through about half of it myself years ago, and again fully with a friend recently
Super Tux Party
I'm sorry but we need something more modern
The Outer Worlds was so bad I had to put the controller down and abandon it. A fan made song got the feeling of "dystopian capitalism in space" better than the actual game did.
And an older one that'll get me burned at the stake: Fallout New Vegas is the worst of the first person fallout games.
I get that people like the story and feel like they have an influence on it, but for me it felt railroaded even from the start. "Oh yeah it's open world but if you go anywhere other than the path we laid out for you you'll die by deathclaws" is what it's known for.
My biggest gripe is that when I play fallout I want post apocalyptic retro futurism. 50s vision of the future gone wrong. I feel like I don't get that with NV and that's the whole theme of the franchise. It's the pizza at the Chinese buffet, like, I'm not here for that, why are you here? This is just Nevada but slightly shittier.
Ok, but compare that to breath of the wild. The game really is an open world. And you can go right up to the boss and kill him with a stick of you know what you're doing. You, as a player, decide to go get stronger first. You don't have characters specifically telling you to avoid an area, and a quest line that specifically takes you down a specific path that gives you a specific narrative.
Plus it's got all sorts of logic puzzles like, all over the place.
Hell in fo3 you don't get railroaded until the final mission, first time I played it I didn't even go to megaton until way later. Fonv starts you off with it. For a game that is supposed to encourage exploration to start off saying not to? C'mon.
Oh really? I did have fun with the Outer Worlds. Nothing too amazing, but it was fun enough to keep me invested. Parvati was also a large reason for that, I loved her character.
I don't know if the story is bad, I just don't care about any of it. Parvati's story was cute and I liked helping her but I couldn't tell you anyone else's name and I was playing it yesterday.
The loot system just feels like it doesn't matter. Maybe I screwed myself over by doing an INT based build cause my science hammer just demolishes everything.
I didn't think it was so bad I had to stop playing, but I did stop playing one night once it got late and just never started it again, nor had the desire.
It seemed fine enough, but it just didn't click with me I guess.
Well just fyi. The end missions are currently, still today, broke. So only one ending available that is regardless of whatever choices you made.
I loved the first one. I like this one but they made some bad changes.
But mostly they need to fix the mission bugs.
First one you could change the armor and weapons on the companions.
Also I really liked the vicar and Parvati. Vicar was like a snarky gay guy and I loved it. I will admit the other 3 were blah. But the new companions on OW2 are kinda bland.
I don't really like any of them. Niles and inza had potential but wasn't developed.
And I straight up dislike Tristan's personality. He's just awful.
Aza can be entertaining. If they made her more impulsive I think that could have been fun.
For instance if you take too long in negotiations and shes present. She just starts attacking people after some time limit.
Or randomly attacks strangers she doesn't like the look of.
They could have done something interesting with her.
But mostly they need to fix the damn quest bugs so I can finish the game.
Also there was a quest in ow1 where some sketchy dude asks you to do some sketchy thing. And you realize this during the quest. You can go back to him and get the reward. Or sucker punch him.
I wanted more of that in ow2. Didn't get it.
statisfactory 1.0: the game is pure eye candy there's no endgame. factorio is leaps and bounds better
Yeah I'm a huge factorio player and I so badly wanted to like satisfactory but i can only describe the gameplay as cock and ball torture. For the first 6 hours you are getting kicked in the balls repeatedly by pointless tasks that drag you out of the automation loop. The game is not playable until you unlock the hydro power.
With friends it helped mask the pain.
Oh, damn. I'm like a few dozen hours in and still no hydro power. I must be a slow player. :(
I do, however, have a fifteen gajillion story high factory that I'm building, so there's that!
I was playing in a group of 4 and am just spitballing time. Its been a while so maybe it was 12hr+
I was not throwing shade in the game as it is pure eye candy, when you unlock the space elevator that was a "holy shit" moment. It does really look good, but factorio the base game, I could get lost in for days, nevermind doing mods like pyanodon.
Yes I agree it looks so amazing. I love seeing Satisfactory base tours and seeing all the different setups I just cant enjoy playing it myself sadly.
Spoken like someone who never built a hypertube cannon to fling yourself beyond the boundaries of the map
Life
Graphics are great. Hardware requirements are low, but there are bugs that accumulate with more play time. Learning curve is infinite and permadeath is only option despite a bunch of claims to mod/patch it. PVP is broken, constant spawn camping and pay to play behavior. Microtransactions are a pain. Huge variety of mission types, yet it still ends up feeling like a bunch of fetch quests sometimes. Side quests are the way to go, the main campaign is not super rewarding
Side quests are the way to go, the main campaign is not super rewarding
The worst part is that you're forced to spend at least 1/3 of your time playing grinding out the main campaign. Then you are highly incentivised to spend another 1/3 of your time in game not playing due to the rest mechanic. That only leaves 1/3 of your time in game for any other tasks, including extra preparation for the main quest. Not to mention the fatigue system which often leaves you unable to do side quests when you have the opportunity.
I'm glad I didn't roll any of the classes with extra lives, to be honest.
Yeah, mid characters except few...
Bg3. I think the flaws are glaringly obvious and everyone has heard them already (inventory, everything after act 1, the main characters being generally gross) it's just whether they're a deal breaker for you personally. For me they are, especially inventory.
The characters being gross? Im not sure ive heard that complainant, could you elaborate please
Wyll is the least immediately unlikeable but he's boring and I hated talking to him
Laezel, shadow - clearly intended to parallel each other but listening to hard-headed morons clash between "we should murder everything" and "those people need medicine and my only medicine is pain" is not entertaining to me. Their "growth" doesn't ever seem to fix this
Karlach I don't have real complaints about
Gale never managed to grow out of being pompous and annoying
Dark urge probably the best character
There's plenty of listicles and reddit posts with other complaints if you google "don't like bg3 characters".
Same. I tried to just 'go with it' and ignore the flaws so that I could play multi-player with my SO. Act 2 was a slog. Act 3 is where we gave up completely. The only good part is that the whiny companions started dying on their own.
My favourite part of returning to camp was lying to gale that I'd found no magical items while having 4 characters invs basically overflowing with items I didnt want.
Oh sorry gale I was using those magical socks
Aren't you already wearing socks?
Maybe you should go find your own magical shit rather than asking stupid questions.
Boom :(
I had the same feeling, didnt really like the characters they were weird but after modding some custom ones in I enjoyed it a lot more. I did keep astrlas ans shadow heart then put my own two characters to fill the party.
Farthest Frontier.
I love city building games. They're my genre of choice. This one is hyped up to 11 as this great agent based logistics chain focused city sim. It's not. Like at all. The numbers are obfuscated to hell and back. It's got the slowest tier one to tier 2 transition I've ever played in a game like this. Very little does what it's reported to do. They added a useless tech tree to lock stuff up to get a sense of progression, when in reality it just adds a second layer of requirements and time to progress to the next stage of your city. They have a really frustrating combat system which is cool in thought, but poorly executed. The economy is fucked and barely makes any sense.
The most frustrating thing that's the biggest deal breaker is that pops don't move into the city upon building housing. You need extra people to fulfill basic laborer roles. I can fill up every job I've plopped and have 20 extra workers doing basic labor or nothing. Or I can have two extra workers and build more houses to increase the pop count. Problem is nobody moves in. One of the requirements to get to tier 3 is 200 pop. I can't break the 64 barrier let alone 100 because for some awful reason the dev decided to use a desirability score and not move pops in upon building a house. I have a population cap of 140 people and there's vacant houses everywhere. Yet shit don't change. I don't think peasants in the fucking 1400s gave a shit about market prices and luxury amenities when fucking bears and wolves attack every 5 minutes. Just move people in the houses when I build them.
The game is a looker. I'll give it that. Everything else is frustratingly bad.
Nine Sols. Played it right after finishing Silksong to keep the metroidvania kick going.
The parrying was some of the worst feeling parrying I've ever felt in any game, the world felt tiny and extremely linear, the narrative was predictable and felt extremely flat, and the final boss is the only time I've ever switched to a story mode difficulty in any game just to get it over with, I love difficult games but that difficulty spike is absurd and the game never remotely prepares you for that.
They advertise this game as a Sekiro-like metroidvania, while it feels like they completely miss what made Sekiro work or what a metroidvania is.
I felt that way for the first couple of hours and then the parrying "clicked" with me. Also you get some items/skills that make parrying easier/stronger.
Planet crafter - Holy shit is that game janky, ugly, badly designed etc.
Conan Exiles - I did enjoy it for a while, but it quickly becamse such a chore since so little is explained so you spend so much time having to look things up, and even then it's often not obvious what to do. I payed solo, and there is a point where doing that just feels impossible, I ended up wanting to cheat to do some things and that's a point I never cross so I just stopped playing.
I really want to play some game like those; survival with base building, exploration etc, But I think I've exhausted the list of ones that are good enough for me. I've played Minecraft, Terraria, Star Bound, Enshrouded, Subnautica, Grounded, Valheim, Satisfactory, Factorio, The Forest and more that I'm not remembering right now. There are some that are in early access that I'm interested in but I've stopped playing EA games, I now always wait till full release.
If anyone has any suggestions I'd be very happy, I'm craving something to dive deep into. I'm only interested in Single player games through, at least ones that can be played as such.
similar suggestion to BlackAngels: RimWorld?
sounds like you'd enjoy top-down gameplay more than 1st person, so might be something to try!
pro tip: try the base game first. the DLC are all good, but none are required!
edit: RimWorlds' mod scene is also just incredible (some would probably call it non-credible too XD); there's Project RimFactory if you want a more factorio-like playthrough! (although, fair warning, RimFactory is pretty damn OP, up to you how much you abuse it...)
They are all centered around being the person executing the task. Have you tried Dwarf Fortress or alike games?
Soulmask. Its been phenomenal even in EA, and its about to fully release before the end of the year. Once Human is also fantastic and its free.
Luigi's Mansion 3. At least if you consider 6 years ago recent. It got some really good reviews at the time, and it honestly makes me wonder if we were playing the same game. I loved the first one, by the way - I got an A rank while also getting golden frames on all the portraits (on the PAL version where you need more money).
I only persisted with the game because it was a birthday gift (and due to the sunk cost fallacy, I suppose), but I think it might be the game I've completed that I enjoyed the least. It looks nice, and some of the boss ghost encounters were charming, but the gameplay itself was fairly monotonous since they simplified the ghost catching mechanics from LM1 (I didn't really play LM2, since it was on 3DS). Gooigi would have been a decent addition, but his puzzles generally just didn't feel very fleshed out. It felt like they were either "I need two vacuums" or "I can't fit through this grate".
Also, I think Nintendo took the criticism that the first game was too short well and truly to heart, because LM3 might be the most filler-stuffed game I've ever played. Half the time when you get an elevator button, you get screwed over in some way and have to find it again. And don't get me started on fucking Poulterkitty, when that little bastard showed up for the second time I legitimately thought about quitting the game there and then. The final boss was awful, too, which left an even more bitter taste in my mouth.
Luigi's Mansion 3 might be the only game I've ever played where I thought "Thank god I don't have to play that anymore" once I finished it.
any game that is very short for its cost. plus i saw re6 and its just dragging on the boss battles(like making them very hard to kill) to prolong the game. SWSH to recent pokemon game, knew the slop in the beginning never bought into the future switch games, and it turns it gets worst every game. by the way the gamefreaks ceo said it was going to be SLOP after slop, but people bought it anyways.
Not sure how recent we’re talking but within the last year or so my 2 biggest disappointments have been once human and nightingale. I can usually work around jank and weird creative decisions, but unfortunately neither of these two were worth any of the time I’ve spent playing em since they felt like they didn’t seem to want you to progress.
Played once human for about 3 days, nightingale for around 3 hours and then refunded.
Ghost of Yotei
It's good but way too long and gets really repetitive.
Just finished it with all achievements (except final Takezo fight, yet) in about 50 hours. It was a little repetitive yes, but it didn’t bother me much. The setting, presentation and gameplay checks all the boxes for me so I kept going.
But I would’ve also been happy if it was shorter. That’s my general opinion on games these days.
I turned the difficulty way down in the end just to finally get it done.
Paradise Killer.
Amazing soundtrack that is on repeat with the greatest in my playlist, but terrible character design and condescending to the player character.
Too bad.
Condescending in what way?
The Hundred Line: Last Defense Academy - the disrespect for player's time is actually insane, never seen anything like that before or since. Hundred endings which should have been like 30 tops with a decent quality control. 100 days which should also be 30 tops for each ending.
I really wanted to get to that one cool ending, but you have to play through who knows how many stupid filler routes to unlock it - I just couldn't do it.
Don't get me started on the day-to-day in the game: the repetitive slow-ass animations for every day, you having to go through motions to skip every day. And battles... Even when "skipping" them you spend literal minutes. Like why... And so many times you can't even skip them.
But what really soured everything for me is the final battle in that one ending.
spoiler
That one super climactic battle, where your entire team stands together against the strongest foe yet, without the respawn ability or the healer.
By juggling my squad, I avoided any deaths before accomplishing the goal for the battle. I thought that I would get a cool ending due to me trying hard to keep everyone alive. But then enemies (which constantly respawn) receive a power-up which makes them one shot my guys. Well, ok, I thought, maybe I can save some of them. By using placeable tools and overpowered protagonist, I kept some of my team alive while the timer for the battle went down steadily. Enemies kept spawning, but I kept some of my guys alive. The timer went down to zero, I was relieved, but then apparently that was a lose timer? Apparently, to win you HAVE to get your entire team dead? If you struggle as hard as you can to keep even some of them alive - you insta lose? But then if you win like you were supposed to (by killing your entire squad), the place blows up anyway killing everyone including the protagonist? That is actually insane. How did anyone come up with something like that...
Elden ring. Repetitive, ugly, boring. I don’t think I made it past the wasteland you start in but I never saw anything worth seeing and the dying over and over gameplay is frustrating for me, not fun. I played for a couple of hours and just gave up on it, i saw no progress or any story, just repetitive killing
The new Silent Hill 2.
The use of DLSS makes it look like a fugly, smudged mess unless you're totally motionless. The combat is inconsistent; hit a monster, it gets stunned but then jankily cancels the stun animation to grab you or attack through your attack so it hits you but you don't hit it.
Not sure what is better than the original other than the graphics when standing still. Even the voice acting is the same not good delivery as the OG, despite having been re-done.
Expedition 33, but I'm sure other people think that about Silksong or Hundred Line.
I love the pictos system, it's the best thing about it and I hope other JRPGs take it, almost every pickup you find is good. Resuable consumables are cool, and the first two hours or so is cinema (even on Steam Deck with crappy settings). The rest is just good to flawed by the middle of Act 2, especially parrying (I'm decent at it, but I'd rather either play an action game where it's deeper, or a JRPG where it doesn't intrude on strategy)
Ha, indeed I never even got into hollow knight and didn't even find it appealing. Big metroidvania player otherwise. Love dead cells.
Anyhow, I really like(d) expedition 33, played through on easy. Due to the qte stuff which I wish could be turned off entirely. It's also a question of accessibility imo.
Technically it's not really great and should perform way better on ps5 or pc.
But whatever, it was generally a good game.
Hollow Knight mostly had pretty barebones movement for a metroidvania. Great for combat, not fun for going from point A to B, and HK has seemingly more backtracking that other metroidvanias. Silksong actually has a sprint button that makes it all better.
Expedition 33 is still good, but a lot of people go as far as saying it's the best JRPG last decade, which feels like a copout when half of it is not being a JRPG. It feels like the Persona 5 hype all over again (which was a full on JRPG, mind you, but it also had problems and I felt was just good)
Expedition 33 has good gameplay. However, the whole game feels like generic Unreal Engine 5 assets taken from a fromsoftware fan's portfolio were mashed together.
Also it looks like crap (from a technical standpoint) on steam deck and I can't change the settings how I like.
Oh I think the reverse - it's a pretty game with a nice story but the gameplay itself made me want to quit the moment I won the main story.
For those unaware you can basically win by being really really good at Simon says (except you can't beat Simon that way)
This is how I felt about it. Cranked the graphics up, thought it was beautifully made, yet overall the gameplay and execution felt generic. The combat becomes predictable and nothing special.
Final Fantasy X.
Lots of people hype the game up, but boy is the gameplay boring to me. I love a good turn-based game, but not turn-based battles.
Especially didnt like Blitz ball. And the story wasn't good enough for me to keep playing to find out. I played about 20 hours and got to the Seymour Wedding scene, after the desert area. That's about where I dropped the game.
To be fair, I don't really like JRPGs that require grinding, especially turn-based games with no tactical movement which require grinding, so I was already not going to like the game. But I had read that the story was one of the best among Final Fantasy. Also super hate random battles, especially when I am just trying to explore somewhere I already feel like I "cleared" out with battles. Also, gigachad Lulu was carrying like the entire time I played. L bozo Waka, your brother hated you bro. Ject would have been a better protagonist than Titus. Better design too.
Honorable Mention: XenoSaga.
My experience with XenoSaga can be summed up with: "When I am in a Designing Horrendous Boss Battles and my competition is The Developers of XenoSaga:"
turn-based game, but not turn-based battles.
What does this mean?
I can understand the blitzball distaste though, it was polarising even then.
I dont hate turn-based games as a whole. I do enjoy turn-based games like XCOM, Tuned Heart, Vagrant Story (its combat is somewhat turn-based), Galactic Civilization, and Mega Man Battle Network, for example.
I do not enjoy turn-based games where the only thing the player does is select an action from a list, with static party members and the same music/cutscene/background etc. For example: Wizardry, Octopath Traveler (I liked the art though), Pokemon, and XenoSaga. I also didn't like Slay the Spire because of this. I didn't like the autocombat in the XenoBlade games either.
Its hard for me to pinpoint exactly why I might like one game and dislike another even if they are similar in gameplay. Legend of Dragoon held my attention because at least I had the QTE during battles that gave me something that would directly impact my actions, but my save was corrupted and I haven't got around to restarting the game.
The only time I actually enjoyed a game with this kind of gameplay was ironically the mobile game NieR Reincarnation (RIP). It wasn't exactly turn-based, but it was similar in that all the player does in combat is select when to fire a character's skill. Everything else is automatic. But I really like all of Yoko Taro's works, and I liked the story and felt it was worth going through the combat for the story. Also, combat was over pretty fast, usually ending under 60-90 seconds.
Blitzball was interesting but I felt like it was an undercooked gamemode. It wasn't explained super well and was frustrating occasionally. It didn't really add to the story and just felt like filler, so except for the ones time I was forced to play it, I never touched it.
Final Fantasy X is probably my favorite Final Fantasy of all time. Just don't play X-2, assume the story ends immediately.
The HD remaster has some "cheats" to smoothen your experience, if you ever want to give it another shot:
- No random battles
- Infinite gil
- All non key items
- invencibily (to make up for low levels)
This way you can enjoy the story and move quickly through the game.
If you don't enjoy turn based battles nor grinding I think this IP is just not for you. Definitely nothing before Final Fantasy 12. Maybe Final Fantasy 12 is ok, though I thought the story was on the weak side.
Ha, yes I heard X2 was pretty universally disliked.
I have really tried to like Final Fantasy. Over the years I have tried plyaing a few of them, like the FF 13 - 2 Lightning (?) demo, whichever game had "Lightning" in the title. I didn't really like it. I suppose the only Final Fantasy I will ever like is FF Tactics.
IMO, if I am going to use that many cheats just for the story, I might as well just watch the game "movie" or whatever on YouTube.
13-2 is one of the worst ones, to be honest.
It was "Lightning Returns: Final Fantasy XIII."
I tried it whenever it was like brand new. I think I tried the demo before the game even launched on Xbox 360, though I can't be certain. I don't really remember much about what I played except the main character had pink hair I think and there was a lot of blue or like, ice on the screen.
Also tried FF 7 (the original on PSX) and FF 4 on SNES. I haven't tried Crisis Core, but I did have it on the list of games to try, even though its not a mainline game.
Lightning Returns was boring AF. I tried to play it like 4 times but I just can't. It's awful.
Prey. It's inferior to the older Dishonored games in pretty much every aspect.
Wild, I had the opposite experience, I loved Prey (I also love the Dishonored games). What stuff did you end up not liking about Prey?
Compared to Dishonored, Prey lacks all the movement. But I wouldn't have compared it to Dishonored anyway; It's more like System Shock 2 and is pretty good compared to that.
Unless they're talking about the older Prey... 🤔
For me the difference is simply being a scardey baby who cant handle horror
I felt dishonored offered many more options to move around, the level design had more surprises and verticality which multiplies options. Sneaking is a viable gameplay approach which I love (personal taste here). The characters and dialogs have a lot more depth and there is a lot more lore to discover along the way.
Also It might be my fault because I opted to avoid typhoon upgrades, but the mid game was really tedious due to ammo scarcity and the end game was too easy after that.